![]() ![]() My friend, Jay Goldberg, then sent over his original draft of Glorious, which was called Old Glory at the time, and immediately I found something fascinating about the setup. One day he said to me, “Is this all I do now? Find new and better ways to kill off suburban housewives?” Dave had mentioned to a bunch of my friends that I was looking for something that could be feasible, something that was weird (because I’m weird and I like weird films) and transgressive. Admittedly, Dave is pretty next level at script-doctoring, having done four assignments for Lifetime back to back. Īt the same time, the only industry work that Dave and I were getting was a ton of script-doctor work. This describes every project my USC students were making. And they weren’t just shooting on their cellphones, but they were having to shoot on their cellphones in their apartments, by themselves, with their dogs. #Blood glory hile how toI was finding myself shifting to teaching students how to shoot on their cellphones, which felt somewhat disheartening, as if this was what we had to assume the world was going to be like moving forward. McKendry: We were deep in the pandemic and, yes, like most people, going through this crazy but cathartic moment of, “What the hell do we even do with our lives?” I was still teaching, but online. I recently spoke with McKendry about how this screenplay came her way, how she juggles the various roles and projects she takes on in the industry, how she mapped out the building of the bathroom set and more.įilmmaker: You’ve previously spoken of how during the pandemic you were looking for something to direct, and I imagine that was true of many filmmakers at the time, their daily headspace consumed with creating a project that would, given COVID-19 restrictions, require the smallest crew imaginable and having everything set in one contained space. Having premiered at the Fantasia International Film Festival in Montreal this summer, Glorious is now streaming as a Shudder Original. Simmons, this god is rarely seen but always interesting. It’s a credit to the director, horror veteran Rebekah McKendry, that the film never loses sight of the fun absurdity of its premise and the warped peculiarities of that gloryhole. That person is nothing more than a voice funneled through a gloryhole, but what that voice requests of Wes (and why) raises the film’s stakes to a lofty degree. ![]() After a night of grieving and binge-drinking leads to hugging the toilet bowl at a gross rural rest stop, Wes (Ryan Kwanten) finds himself in that scenario when the person in the stall introduces themselves. Fantasia International Film Festival, Rebekah McKendryĪn unwritten rule of public restroom usage is that one should never attempt to strike up a conversation with the person one stall over, and that’s doubly true if the person next to you is an all-powerful god sent down from the cosmos. ![]()
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